The Visual Antifoto Manifesto is a project by Katja Stuke and Oliver Sieber. The final event during the Photoweekend in Düsseldorf 2013 was developed in cooperation with Markus Schaden at the Jacobihaus/Künstlerverein Malkasten.
[…] as behind Böhm/Kobayashi lurk the duo Katja Stuke and Oliver Sieber, who together cover an extensive range of personas: photographers and artists, curators and exhibition organizers, designers and art book editors. Yet as they move through their photographic cosmos, it is not always so easy to determine where one identity ends and the other begins. Regardless, in their works and activities as artists and art facilitators
they have long since become moderators of a very specific photographic culture.
[…] The artists have long since turned this label (now supplemented with the Japanese name “Kobayashi”, which is as common as the German name “Böhm”) into a stage for the duo’s diverse activities, such as the Böhm Handelszentrum (Böhm TradeCenter), a virtual, online exhibition space. For two years, under the provocative title of Antifoto the two have been presenting – at the moment in the real space of the Kunstraum in Düsseldorf – aspects of a photographic technique that is characterized by a unique, media-reflected
Katja Stuke and Oliver Sieber have become international traveling salesmen in the field of photography, who feel more at home on the road than they do in their atelier in Düsseldorf. Like no other German artists of their generation, they have portrayed the everyday culture of Japan in their works or turned the mythic locations of film into a subject of photography. With their works – which illustrate to what a tremendous
extent the “poor media” of popular culture shape our imaginations – they have turned the Museum für Photographie into “their house”, as the exhibition’s title indicates. Not least of all, they reveal the many faces and the ever migrating image forms and presentation methods of photography as a medium. (from: Our House, Bulletin 21, Museum für Photographie, Braunschweig. Florian Ebner, 2011)